Ström, Annika
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Rhetorica Scandinavica 2012, 60 : 50-67. In medieval Sweden, many church bells were inscribed with texts, often formulated in the Latin language. These inscribed bells were then hung in remote places such as church towers or detached bell-towers and could therefore not easily be read. For whom were these words intended? The present article will discuss the function and purpose of these inscriptions in the Swedish medieval society, through the eyes of the terms ‘rhetorical situation’ and ‘genre’. This discussion leads up to a definition of ‘monumental rhetoric’ or ‘the rhetoric of durability’, that is how rhetorical efficiency is achieved in inscriptions.
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Rhetorica Scandinavica 2011, 58 : 34-56.
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In: Finn Finland. Stockholm : Historielärarnas förening (HLF).
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Carl von Linné, Instruktion för resande naturforskare - [översättning från latin av Annika Ström]Mer info In: Naturalhistoria på resande fot. Stockholm : Nordic Academic Press, 2007. 199-210.
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Carl von Linné, Om nödvändigheten av forskningsresor i fäderneslandet - [översättning från latin av Annika Ström]Mer info In: Naturalhistoria på resande fot. Stockholm : Nordic Academic Press, 2007. 183-198.
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Skrivundervisningens pedagogik hos Johannes Matthiae Gothus - Svensk elementärundervisning under 1600-talets första hälft med fokus på språkinlärning och skrivträningMer info In: Progymnasmata. Åstorp : Rhetor, 2003. 113-136.
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In: Erudition and eloquence. Helsinki : Academia scientiarum Fennica, 2003. 126-142.
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In: Mimesis förvandlingar. Stockholm : Atlantis, 2002. 115-128.
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Stockholm : Atlantis, 2002.
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Stockholm : Sällskapet Runica et mediævalia, 2002.
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In: Språkets speglingar. Lund : Klassiska institutionen, Lunds Universitet, 2000. 222-227.
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Stockholm : Almqvist & Wiksell International, 1999.
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In: Symbolae Septentrionales. Stockholm : Sällskapet Runica et mediævalia, 1995. 333-360.
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In: A history of Nordic Neo-Latin literature. Odense : Odense University Press, 1995. 281-293.
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Lachrymae Catharinae - five collections of funeral poetry from 1628 : edited with studies on the theoretical background and the social context of the genreMer info
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